For Sam Jiang, He’s Ready is more than an exploration of menswear. Developed at Kingston School of Art, the collection is rooted in a personal journey from Beijing to London and in the process of understanding who he is and who he wants to become. Through tailoring, deconstruction and floral details, Jiang creates a vision of masculinity that is at once edgy, boyish, sentimental and soft.


Growing up in Beijing, Jiang describes feeling “like I was a drone lost in a big wave.” He remembers wanting to grow up, discover who he was and understand what he wanted. After four years in London, he feels that he has begun to find himself. He’s Ready emerges from that experience as a kind of coming-of-age ceremony, one that Jiang imagines for “all the boys like me.”
The choice of formalwear provides the foundation for this ceremony. Traditionally associated with important occasions and milestones, tuxedos and formalwear become a symbolic starting point for Jiang’s exploration of growing up. Yet rather than reproducing conventional tailoring, he disrupts its established codes. Formal jackets and shirts become sleeveless, buttons are left undone, and garments are worn open to reveal more of the body. Regular trousers are transformed into shorts with dropped crotches, creating silhouettes that feel distinctly youthful and unconventional within a formalwear setting.


This tension is central to the collection. Jiang describes his intention as creating “an edgy, boyish look within a formalwear setting,” while challenging the expectations traditionally associated with tailoring. The resulting garments occupy a space between structure and freedom: recognisably connected to formalwear, but altered through proportion, exposure and construction.
For Jiang, rebellion is not simply about rejecting rules. He’s Ready considers growth as something more complicated. “The journey of growth is not only about breaking and changing rules,” he explains. It also involves “openness, tolerance, understanding, embracing how things were, and accepting them.” This idea shapes the way the garments are constructed. Rather than making every design aggressively confrontational, Jiang chooses to retain elements of discipline and precision. The garments are highly fitted to the body, allowing structure and sharpness to remain central to the collection.
Softness enters through another important element: flowers.
Jiang sees masculinity as something that cannot be reduced to a single description. During his own journey of self-exploration, he came to understand that “it is hard to describe a person with a single narrative or phrase.” Floral details therefore become a way of introducing another dimension to the collection. Draped and integrated into the looks, they bring sensuality, sentimentality and vulnerability into dialogue with the sharper language of tailoring.


The balance is deliberate. “I want to keep the structure and sharpness as the main voice,” Jiang says, “and the floral softness as the cherry on top.” Rather than replacing the strength of tailoring, the floral elements complicate it. They suggest that masculinity can contain contrasting qualities at once: confidence and vulnerability, rebellion and acceptance, structure and softness.

Creating this balance has also been a technical learning process for Jiang. As a newcomer to tailoring, achieving the right fit proved particularly challenging. The garments often required multiple toiles, making the process both time-consuming and demanding. Working with wool also presented its own lessons. These challenges became part of Jiang’s development as a designer, giving him a deeper understanding of tailoring and of the practical process behind creating menswear.
Through He’s Ready, Jiang has also gained a clearer sense of where his interests lie. The project helped him understand which areas of menswear and design he wants to explore further, while giving him a better understanding of his own design process. In this sense, the collection mirrors its central theme: making something is also a way of discovering yourself.

That process is not finished. Jiang’s next step is to work in a tailoring-related menswear role, where he hopes to strengthen his technical skills and gain experience within the industry. He’s Ready can therefore be seen not as a conclusion, but as one stage in an ongoing coming-of-age story.
At its heart, the collection asks what it means to become ready, not simply to follow an established idea of adulthood or masculinity, but to develop an understanding of oneself. Through sharply tailored silhouettes, disrupted formalwear, exposed skin and unexpected floral softness, Sam Jiang creates a wardrobe for that transition: one that acknowledges where you came from while making space for who you might become.
